Is it lost, trapped or frightened? "There are thousands of rats down there," Valeria wails to Daniel.
But then their happiness is marred when Valeria's little dog chases a ball into a hole in the floor, disappears under the floorboards and won't return. He's rented a big new apartment for her Valeria's image smiles in from a billboard visible through a window. In the second segment, "Daniel and Valeria," we meet a television producer (Alvaro Guerrero) who has abandoned his family to live with a beautiful young model and actress (Goya Toledo). Flashbacks show how Cofi was shot after killing a champion dog now the chase ends in a spectacular crash in an intersection-a crash that will involve all three of the movie's stories. This is Cofi, the beloved fighting animal of Octavio ( Gael Garcia Bernal), a poor young man who is helplessly in love with Susana ( Vanessa Bauche), the teenage bride of his ominous brother Ramiro (Marco Perez). The images are so quick and confused, at first we don't realize the bleeding body in the back seat belongs to a dog. "Octavio and Susana," the first segment, begins with cars hurtling through city streets in a chase and gunfight. That notice usually appears at the ends of films, but putting it first in "Amores Perros" is wise, since the first sequence involves dog fights and all three will be painful for soft-hearted animal lovers to sit through. The film opens with a disclaimer promising that no animals were harmed in the making of the film. He doesn't make my favorite films (I'm one of those people that hated Birdman, and while The Revenant was far better than I expected, it didn't make any of my year-end lists), but Iñárritu certainly has a way of crafting films that really stick with you.The title, loosely translated in English, is "Love's a Bitch," and all three of his stories involve dogs who become as important as the human characters. It's been several months now and, like Babel 13 years ago, it still weighs on me. But of all the films I saw it's the one I can't get out of my head.
Amores perros stream movie#
I saw it at a Mexican film festival at my local indie-it wasn't my favorite movie that I saw (definitely Y Tu Mama Tambien, an all-time favorite), but I still enjoyed it. I liked The Departed much more and that's the one I was rooting for that year, but The Departed, much as I still enjoy it, kind of came and went while Babel lingered.įast forward 13 years and I finally see Amores Perros. But I found that my mind just kept going back to it and I couldn't really shake it. I watched it with my family and none of is loved it-a bit too heavy for our tastes at the time. I was 14 when it came out and it was the first time I was making an effort to see the Oscar nominated movies. The first movie I can remember just really sticking with me-regardless of how much I actually liked it-for weeks after seeing it was Babel. I’ll link to a video I did on this topic if you want a more in-depth analysis:Īmores Perros (2000) The Three Stages of Love If anyone could provide insight, that would be greatly appreciated.
What does it have to contribute thematically? I honestly don’t know.
This is what the characters of Amores Perros want, and it’s a virtue they need to learn.īeyond creating tension and intrigue, I still can’t understand why inarritu uses a non-linear structure. We see this in how Octavio is idealizing the future him and Susana could have, the fall of the relationship between Daniel and Valeria, and the regret of El Chivo.Īnother thing that struck me was the use of dogs as a motif for unconditional love dogs embody this because they love their owner no matter what. These are idealization, realization, and regret. In my opinion, the three stories each represent a stage of love. I forgot about the film until I recently went back to really understand the filmic techniques and gain a greater appreciation for this film. The non-linear structure tying the three stories seemed more gimmicky than anything. Amores Perros was a film, that when I saw it, confused me.
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